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What ensues is a game of shifting, smarmy egos and value of integrity between Bahubali and his aunt, Sivagami (Ramya Krishnan), whom he regards as his mother. It's a ploy actually, which he masterminds with help from his crippled father, Bijjaladeva (Nassar). Bahubali, with ample help from Kattappa, fool around with Devasena, as humor and borderline slapstick enter the concoction (but do not stay for long), which soon shifts to high drama as the lover boy's brother, Bhallaladeva, now has his eyes on Devasena. Predictability is all over the place as you follow the flashback story involving Bahubali (Prabhas), who uses a method previously sampled by the protagonist in the 2005 Tamil film "Ghajini", to woo Devasena (Anushka Shetty), the fiery queen of a nearby smaller kingdom.
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Shiva (Prabhas), upon realizing his lineage, has to save the kingdom now and settle some scores. Resuming exactly where the first part ends, the story follows king- slave Kattappa's (Sathya Raj) narration of the past events that occurred in the Mahishmati kingdom and how they directly led to its degeneration under the rule of the foxy and narcissistic Bhallaladeva (Rana Daggubati). This epic romantic drama, which is South Indian director S S Rajamouli's eleventh feature film, has the combined effect of all these factors, but is unsurprisingly let down by lack of logic. The frenzy and thirst for more that the first part started and caused in 2015 had to be quenched by content that has more power, more action, and more grandeur.